This is a cover of a song recorded in 1950 by Blind Wille McTell and Curly Weaver, who were covering (by calling up into fuzzy memory) a song recorded in 1932 by Leroy Carr and Scrapper Blackwell. The 1950 version is different enough from Carr/Blackwell’s that Blind Wille McTell got writing credit for it; the later version is relaxed, the lyrics being called to mind even right there in the recording session.
lyrics
It was in the wee midnight hour
Long about the break of day, oh day, oh day
It was in the wee midnight hour
Long about the break of day, oh day, oh day
When the blues would stream down over you and tear your mind away, away, away
Has your mind been rambling
Back to the days of long ago, ago, ago?
Has your mind been rambling
Back to the days of long ago, ago, ago?
Back to the one you used to love and you don’t see then any more, no more, no more
Oh blues, why do you worry me
Why do you stay with me so long, so long, so long?
Oh blues, why do you worry me
Why do you stay with me so long, so long, so long?
You came to me yesterday, and you stayed with me all night long, so long, so long
I went down to my praying ground and I
Fell down on my knee, my bending knee
I went down to my praying ground and I
Fell down on my knee, my bending knee
I asked the lord above to spare me won’t you send me back my rider please, have
mercy on me
credits
from Slow Burn,
released August 18, 2020
words/music: Blind Willie McTell
guitar/vocals: Mamie Minch
drums/backup vocals: Dean Sharenow
MAMIE MINCH is a longtime staple of New York’s acoustic blues scene. Listening to her sing and play is like unpacking a time
capsule of American music that’s been stored in her 1930’s National steel guitar for decades and filtered through a modern femme sensitivity....more
Ali Dineen writes beautiful, thoughtful songs in the vein of Judee Sill or Connie Converse. She's pretty fearless in scope, and covers love, community, anti-racism, in her clear, knowing voice. Mamie Minch
These songs are Burnside's first recordings, done by folklorist George Mitchell in the late 60's. Best listened to up loud, while driving a cranky old car too fast on a winding road. Mamie Minch
Have you heard Dayna Kurtz? You should- her voice and songwriting are a deep pleasure, even when she's kicking you around a bit. Just... listen to this record, ok? Mamie Minch
supported by 5 fans who also own “Wee Midnight Hour”
good reed/string work on this!! and the passionate vocals! i was given the download card for this from my friend dave farrow (hookfinger on bandcamp). goes really well with my Secret Museum of Mankind: Music of North Africa, and Klezmer Music CDs that i put on my ipod - great old 78s transferred to the digital realm for all to enjoy! cloudrecordings
Cerebral palsy curbed his ability to play guitar the conventional way, so Nagoda learned double slide, this is his debut LP.
Bandcamp New & Notable May 8, 2014